Before our recent Kennedy Center debut, we sat down for an in-depth interview with David Rohde for DC Metro Theater Arts. His excellent article is worth a read.
For the performance itself, we juxtaposed the scandalous with the sublime. We began with three over-the-top fantasies based on operas by Mozart, Bizet, and Adés; each provided a snapshot of the corruption, power dynamics, and sexual abuse we still find in our world today. The second half featured transcendent music by John Adams and the Beatles, as well our new Hallelujah Variations... in a way, it was our personal (and frustrated) response to the political landscape of our times.
After the recital, we were thrilled to receive a fantastic review in the Washington Post!